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Wanna know how to get tattooed by Russ Abbott? Pricing questions?

If you're a current client of Russ Abbott or would like to collect a tattoo from Russ in the near future, please take a moment to review these changes to his policies and pricing.

First of all, I'd like to thank all of you for your support and patronage. In 1999, I began tattooing in the Atlanta area at the age of 19 and since that time, many of you have supported me and collected my work along the way. I am grateful to each and every one of you for your friendship and support. Over the years, I have tried my best to become better at this whole tattooing thing. I've reached some personal and professional goals. Together, we've been fortunate enough to win a ton of awards for our work, and I've received more than my fair share of recognition from the media. In that time, I've also managed to follow my dream of owning my own studio as well as getting married and raising 3 amazing children.

Somewhere around 2005, I got booked up for a few months. Things were getting really busy for me and showed no sign of letting up. I asked a few friends in the business who had been through this surge in popularity before and they suggested a few ways of dealing with it. The first thing I tried was a waiting list. If you wanted to get tattooed, your name went on the list and you were tattooed as soon as it was your turn. The problem there was that people who are determined to collect from an artist are willing to wait as long as it takes. The waiting list grew and grew.

In 2006, I started experimenting with saying “no” to potential clients. That is not an easy thing to do. The first couple of times I tried it went terribly wrong. I sounded like an asshole, and they never wanted to talk to another tattoo artist again. It was then that I learned that in order to say no in a respectful way, I was going to have to polish my routine a bit. I started telling everyone that I wasn't taking any new clients. Of course, I would eventually take new clients but when I did, it would not be because they had waited the longest, it would be because they had come up with an idea that catered to my strengths as an artist and struck a chord with me as a human being. There is no precise formula that I can share with you to explain how to come up with such an idea. I know it when I hear it and I definitely know it when it's wrong.

The main thing to keep in mind when thinking about your tattoo idea is "authenticity". Does the idea really reflect your personality and your culture or are you borrowing too heavily from someone else's? We all remember the Japanese Kanji tattoo craze of the 90's. A lot of us are still trying to figure out how to cover or hide those things. Why were they so popular? Because they meant something, right? They meant deep stuff like "hope" or "beauty". In the end, they became so popular with just about everybody that they bit the proverbial dust. Today, no one would dare request one of those symbols.

Personally, I really dig history; especially American history. Sorry, I'm an American, so I love to do tattoos that portray people, objects, and stories from the world as I know it. That's not the only thing I like. I'm also into portraits, animals, flowers, the circus, magic, folklore, and ornamental design. I’m not a very spiritual person and I have strong personal opinions about religion in general, so you may want to avoid approaching me with religious themes. Whoever you choose to do your tattoo, please try to match your idea with the personality and style of the artist.

Fortunately, enough of you share these interests with me to keep me busy and artistically fulfilled most of the time. Because my time is generally filled trying to start and finish my own work, I cannot make time to complete work that another artist has started. That doesn't mean I won't turn a half sleeve into a full sleeve, or simply add a piece to your collection. Just don't ask me to color in a piece that you had started by someone else. If you pitch an idea that I've already done every way I can imagine, I might turn you down. If your idea is too complicated and stresses me out, I might turn you down. If you're trying to get a portrait from a blurry photo, I might turn you down. If you’re trying to run the show and you make me feel like I'm just your tool, I might turn you down.

With that said, I'm excited to get some new projects started and I'd love to hear from you. Please read below for updated pricing information and appointment polices. If you'd like to run an idea by me in person, feel free to stop by the shop and see me. To get the ball rolling on your tattoo, please visit www.InkAndDagger.com and click the button that says "Book an Appointment". Choose my name and fill out the form. Then, be patient. Answering emails is not my top priority.

Sincerely,
Russ Abbott

Ink & Dagger Tattoo Parlour
1036 West College Avenue
Decatur, GA. 30030
(404)373-6655
www.InkAndDagger.com

2012 Appointment Policies (effective immediately for all new projects)

  • All payments and deposits for services are non-refundable.
  • Hourly rate $200
  • I have a 3 Hour Minimum ($600). If you want a tiny tattoo from me, it still costs $600. So just get a bigger one.
  • Deposit for single-session tattoo $600. This will be collected at the time of the initial consultation or sometime in advance of your first appointment.
  • Clients wanting multi-session projects must pay a retainer equal to half of the estimated cost of the project at the time of the consultation. In this case, hourly time will be billed in a split manner; half from the retainer and half paid at the time of service until the tattoo is complete.
  • A cancellation fee will be charged at a rate of $100 per hour booked for that day. Clients wishing to cancel or reschedule an appointment must give at least 48 hours notice to avoid cancellation fees.
  • Clients with work in-progress will have priority scheduling and access to my time.
  • Anyone who allows the time between appointments to lapse beyond one year is subject to lose priority scheduling. Special considerations apply in the case of extended illness or pregnancy

 

Discounts and special offers:

  • Anyone who is able to pre-pay in cash for the majority of a large multi-session project may jump to the front of the waiting list.
  • Long-term clients who have collected a substantial amount of work from me will receive discounts on a case-by-case basis.
  • Tattoo artists and their spouses will receive special consideration.
  • In-progress work will continue to be billed at the rate under which it was started.
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February 9th, 2012

Guest Artist Danny Derrick

author: Russ Abbott

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Tags: Atlanta, tattoo, Danny, Derrick

February 6th, 2012

Artist Position Available

author: Russ Abbott

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Tags: tattoo, artist, job, help wanted, Atlanta,

Artist Position Available

ATLANTA: Tattoo artist position at Ink & Dagger Tattoo Parlour. Thanks to those who responded to my last posting about the open artist position at Ink & Dagger. I wasn't extremely clear about the qualifications that I was looking for the first time around and consequently I had to undertake the unfortunate task of turning quite a few people down. To be totallly clear, here's the deal:
In order to be considered you will need:
-A minimum of 5 years professional experience.
-A complete list of every shop you have worked at with references and phone numbers.
-30-40 photos of your work. I would like to see how you handle large-scale custom projects as well as smaller tattoos.
-Email me at
abbott.russ2@gmail.com DO NOT come by the studio or call.

Ink & Dagger is in an out of the way location near downtown Decatur and close to Atlanta.  Our clients don't come here on accident.  Most of them are either referred or they discover us online at www.InkAndDagger.com. If you are not friendly and talented enough to quickly build a following then you will not do well here. Furthermore, we love traditional tattoos, but unfortunately, so does just about every other tattooer in town. So if you want to move to Atlanta and really make a living, you're probably going to need to bring something different to the table. Realism, portraits, illustrative, pin-ups, bio/organic, black & gray, tribal, custom lettering, Japanese, hell even new-school in your repertoire would be nice. Most importantly, you have to be able to draw. Basically, we are only looking for the best tattooers. Is that too much to ask? If you are right for this position, you will be well-compensated and I will make it my personal mission to make your time here a success. Okay whoever you are, I hope to hear from you soon.
- Russ Abbott

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January 8th, 2012

Guest Artist Javier Rivera

author: Russ Abbott

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January 3rd, 2012

Guest Artist Scott Irwin

author: Russ Abbott

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October 3rd, 2011

Monument to America

author: Russ Abbott

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Tags: Tattoo, Stone Mountain

Monument to America
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October 1st, 2011

Apprenticeship opportunity.

author: Russ Abbott

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Apprenticeship opportunity.

We are now accepting portfolio submissions for a rare opportunity to enter in to an apprenticeship under Russ Abbott. Ink & Dagger Tattoo is looking for an Atlanta area creative who dreams of becoming a tattoo artist. Great tattoo apprenticeships are hard to find and are rarely offered publicly so don't miss this chance of a lifetime.

APPLY NOW: Please submit the following materials by mail to Ink & Dagger Tattoo c/o apprenticeship 1036 West College Avenue Decatur, GA 30030 

1. Your resume

2. A 500 word personal essay. Tell us about yourself, why you think you would make a great tattoo artist, etc.

3. 15-20 samples of your drawings, paintings, sketches, and tattoo flash. No digital files please.  Print them out.

4. Several photos of you and your tattoo collection. (Having tattoos is a requirement).

 Please do not apply unless you are already deeply commited to creating artwork and collecting tattoos. 

We are expecting a huge number of submissions so please be patient and don't bug us. If you are selected as a finalist, you will be contacted for a series of personal interviews.  If you make it through the interviews and are selected for the apprenticeship, you will be required to pay a $2000 deposit up front that will cover the cost of your initial tattoo supplies once you are ready to start tattooing.  Leaving the apprenticeship early will forfeit the deposit.  There is no charge for the apprenticeship itself but you will be expected to be present and dedicated to the cause at all times the shop is open for business and sometimes longer than that. A typical apprenticeship lasts for one to two years depending on your progress.  At some point you will be able to start earning a living tattooing in the shop. For the next few years, you will not have a life, you're girlfriend or boyfriend will most likely break up with you, and if you're right for this job, you will love every minute of it.

 

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September 6th, 2011

Introducing Les Collier

author: Russ Abbott

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August 30th, 2011

Guest Artist: Nate Beavers

author: Russ Abbott

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Atlanta Tattoo Arts Festival

This past weekend was the 15th Annual Atlanta Tattoo Arts Festival and we think it was one of the best years to date!  We would like to thank Tony Olivas and Sacred Heart Tattoo for doing such a great job putting on the show.

As usual, Ink & Dagger had a booth at the show.  Russ Abbott and Kurt Fagerland were tattooing and hanging out all weekend.  It was a great chance to reconnect with some old friends and make a few new ones. 

We are very proud to announce that our very own Kurt Fagerland took home the award for "Most Realistic" tattoo for  his portrait of "John Locke" from the TV series "Lost".  Kurt has never been one to seek awards for his tattooing but this year he decided to give it a shot and it payed off big time.  Check out Kurt's portfolio to see some of the new portraits he's been doing, we think they are top notch.

Russ Abbott also took home the coveted "Tattoo of the day" award on Friday for a tattoo of an old timey camera that he did at the show. 

Perhaps the biggest achievement of the weekend was the money raised for Ink 4 Pink on Ink & Dagger's "Wheel of Destiny".  Together with other local tattoo studios and businesses, we helped raise over $1000 for the local breast cancer charity!

Atlanta is always one of our favorite tattoo conventions, not just because it's our hometown but also because of the strong community vibe that everyone involved creates.  See you there next year. Photo Credit: Jon Ruby.

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